Through the glasses darkly
Given the recent unrest in the Middle East and Northern Africa I thought it wise to investigate the situation on the ground, first hand. Thus, as soon as the Egyptian demonstrations began I hopped on a flight to Hawaii. It’s amazing the clarity a fortnight lounging at Waimea Bay can bring to the turbulence of our times. Shave ice and Spam musubi reminded me, as they should us all, of the blessings we enjoy in America. It is only from a privileged distance that political revolution and human carnage can be properly appraised. So called “embedded reporters” are simply misguided; these cheapskates need to stop sponging off our military for helicopter rides, end their cozy battle-front slumber parties and go where the news is really made – the posh resorts and cleansing spas haunted by the powerful.
My wife and I were routed from Portland through Los Angeles and it was while awaiting our connection at LAX that an insight into the Libyan situation struck me: I was munching rancid corn chips at the Concourse C El Gusto Cantina [1] while watching the fashionable Angelenos scurrying past: sunglasses! The key is Quaddafi’s Sunglasses.
A quick review of Jane’s Military Index of Despotic Fashion and Fighting Duds 2000–2010 confirmed my suspicions. Janes Fighting Fashions In the history of modern totalitarian states, eye wear has proven a reliable predictor of crises behavior. Fanatical attention to style is tantamount to political intransigence. Why? Because the dictator hiding behind designer lenses perceives himself foremost as a celebrity.[2]
Consider these other examples:
An oldie but a goodie. The most recent to fall.
Murarek’s political longevity might be attributable to his penchant for understated colors, impeccably tailored suits and classic frames but eventually fashion and political progress leave us all behind.
A symptom of advanced delusional detachment is to be found in totalitarian propagandist imagery. When the figure of the darkly bespectacled dictator becomes iconic, his delusion has permeated both the institutional media’s and the popular perception of authority. In a fashion coup, the accessory merges with the man as the image of power. The despot can no more relinquish his glasses than his armed guards. Sunglasses, donned for anonymity, perversely become the signifier of preeminence and recognizability.
A 2010 poster promoting Mubarek as a replacement judge for Simon Cowell on American Idol. The caption, roughly translated reads, “80 million Egyptians can’t be wrong.… until I say so!”
An Iraqi postage stamp: “Saddam Hussein en route to collect his dry cleaning”, part of series conceived to humanize the dictator by depicting him in common domestic activities.
The celebrity is the object of irrational adoration and this unwarranted affection attacks the individual like an encephalitic virus. Bestowed in the form of popular adoration to the celebrity/political power to the despot, the notion of diminishing fame rapidly becomes unthinkable to the afflicted. The celebrity and the political despot retreat into delusion, a delusion shielded by bunker walls and tinted lenses. The most dangerous political wackos are always the most cognizant of their public image. The better dressed the dictator, the more tenuous his hold on reality. Consequently they are the last to comprehend their demise, the last to yield. They are the most dangerous — Quadaffi is simply Charlie Sheen backed by an army: “my people love me.”